So #IWD2018, International Women’s Day 2018 is here, a day designed to encourage communities to think and act to be gender inclusive and to celebrate the achievements of women.
WildWorks is a hive of female achievement, talent, ambition and creative vision. (more…)
100: UnEarth is now on sale. The show runs from 3rd to 22nd July 2018 at The Lost Gardens of Heligan, near St Austell. It’s on every day apart from the Mondays.
Tickets for 100: UnEarth will be going on sale this side of April.
In late 2013 I was working elsewhere and I heard from a colleague an idea that WildWorks were cooking up for the WWI commemoration at Heligan. It gave me goosebumps.
We’re hiring …
interested in being part of the WildWorks team? We’re looking for a part-time office manager to join our happy crew. It’s a 4 day a week post, 10am to 2pm, Monday to Thursday … all the details and everything you need to know is right here ;
Job Description-Office Manager Feb 18
WildWorks Equal Opportunities form
Deadline for applications is 12 noon on Monday 26th February. Good luck!
This July we return to Cornwall, return to The Lost Gardens of Heligan with a large-scale site specific project, 100: UnEarth.
Our 2014 one-day event, 100: The Day Our World Changed, focused on an unknowing generation walking into battle in 1914. This companion piece 100: UnEarth looks at the devastating aftermath of conflict, telling the homecoming stories of those who fight and life through war.
WildWorkers Lucy Gaskell, lighting designer and Ellie Williams, designer, have been spreading a bit of festive cheer at Kensington Palace this Christmas.
Following the success of their light installation Victoria’s Christmas, (commissioned by Historic Royal Palaces in 2016), the Cornwall based duo were invited back to remount the series of large-scale, illustrated light boxes.
Originally inspired by the Christmas excerpts of Queen Victoria’s diary and drawing on their well-honed skills for creating site-specific work, Lucy & Ellie developed a concept to create a series of light boxes to fit seamlessly within the ground floor of the palace. Teaming up with Falmouth based design studio Owl ‘n’ Wolf the chosen narratives for each piece have been beautifully illustrated by Joe Holman and turned into complex and multi layered, illuminated vignettes. With the help of their collaborator and head carpenter Ed Martin and carpenter Simon Bagnall, each piece has been set within a highly finished and decorative housing and installed into the Palace.
Lucy and Ellie are no strangers to working at Kensington Palace after their involvement with the creation of Enchanted Palace
for WildWorks in 2010. They are always thrilled to return and catch up with the curators, explainers and staff that were a part of Enchanted Palace, and it’s always a huge temptation to fulfill Bill’s comedy vision of dressing one of the very tame (sandwich stealing) palace squirrels with a miniature ruff…
You can experience Victoria’s Christmas during any ticketed visit to Kensington Palace from now until the end of December 2017.
Our friend film maker, comic artist, illustrator, writer, and composer Dave McKean has been awarded the International Award for Excellence in Comic Art.
Renowned cartoonist, Sergio Aragones, presented Dave McKean with the award at the Lakes International Comic Art Festival in Cumbria. Aragones said that Dave McKean “is an inspiration to comic artists across the world.”
The first thing you’d see if you were to visit the West Cornwall cottage I grew up is a rusted fish on a bamboo pole. It sits just above the garden wall and, depending on how the camellia is doing, catches the last of the daylight before the garden gets a chance.
The fish came home with me on the last night of Wildworks’s first show, A Very Old Man with Enormous Wings, in 2005. I was ten years old and played an ancestor child who narrated the performance from the top of a chicken coop, overlooking a story village built on a harbourfront. When my plan to adopt the show chickens failed to convince my parents, they let me take home a prop—and the fish has been there ever since.
We are once again sending Sue to join the Artist Lock In to Elizabeth Island, Jersey to facilitate this biannual event. Read on for more information from ArtsHouse Jersey…
Artist Lock In
ARTIST RESIDENCY 2017
1.10.17 – 10.10.17
The Artist Lock-In is the flag-ship residency project produced by ArtHouse Jersey.
We are seeking adventurous artists of all disciplines to live and play in a historic fortified island for ten days, under the tutelage of esteemed creative facilitator Sue Hill.
“Walk on our twos, buckle our shoes…”
Just over a month ago, I arrived at Helston School for my first Wolf’s Child rehearsal. I wasn’t exactly sure what I was getting in to, but as soon as I stepped into the school hall that morning, I was swept up into a crowd of around 70 women and girls, ranging in age from 6 to 80-odd, and without much hanging about, we were off!
I am currently volunteering as a Performer and Backstage Chaperone on Wolf’s Child. I have so much to say about my experience here so far that I felt this would be a good way to let you know (hopefully in a coherent fashion) what it’s like behind the scenes of this fabulous show.
I have been lucky enough to have a go at both the performing and backstage aspects of the show. I was originally down as a performer but having recently had knee surgery it was decided that walking and moving as much as I would be in the show was not such a good idea. However, everyone was extremely accommodating of this and I was offered other options and ways to get involved instead of just being told to go home. This created a real sense of belonging within the company and I cannot thank them enough for this. After a while of backstage work (wheeling round speakers, chaperoning the younger kids and adding finishing touches to the sets) circumstances changed and I was given the opportunity to become a performer once again.
Apologies from team WildWorks for the radio silence this end … we’ve been busy at Trelowarren getting all set up and ship shape for Wolf’s Child. We’ve now well into the run with ticket sales through the roof. If you’re thinking of coming really don’t put off getting your tickets. There are shows each night apart from Mondays plus matinees on Saturdays. Tickets here … here’s a sneaky peek ; (more…)
Seamas is a performer, composer and silent film pianist who grew up in Cornwall. At the age of 17 he escaped the clutches of formal education and began work as a multi-instrumentalist and composer for theatre. Since then he has toured continuously throughout the UK, Europe, Middle East and USA.
He has just returned from a 9 month tour of Kneehigh Theatre’s 946: The Amazing Story of Adolphus Tips and is getting ready to be a Crow Singer in Wolf’s Child.
Mary Woodvine, Actor
Mary has worked extensively in theatre and television since 1989, from touring village halls through to performing at The Royal National Theatre and The RSC.
She was a core member of Kneehigh from 1991 where she met and worked with Bill Mitchell and Sue Hill many times. Her first WildWorks performance was In Masque of The Red Death at Battersea Arts Centre. More recently she has been working with Ed Rowe AKA Kernow King in the sell out show Trevithick!
She is very excited and honoured to be in this very poignant and special production.
Before his death at Easter this year, Bill Mitchell requested that Kyla Goodey be handed the baton of Show Director for Wolf’s Child. Kyla, who performed in the original production of Wolf’s Child in 2015 is actor, director and writer based in Cornwall.
She has worked extensively in Cornwall with various companies including Miracle, Cube, Pipeline, Trifle Gathering Productions and most recently touring with Kneehigh in 946 Adolphus Tips. She was also performance director on A Great Night Out 2016 and The Yule Tide Arc-Ive 2015 for Wildworks.
WILDWORKS NEEDS YOU
Our internationally acclaimed show Wolf’s Child is coming to Trelowarren Cornwall, near Helston this July.
We’re looking for enthusiastic volunteers to join the company as performers, makers, production and front of house teams.
Some people worked with Bill for less than a day, some have witnessed his work and never got to meet him in person, some of us have worked with him for a few years and oh to be the lucky few who worked with him for decades. The overwhelming response from people (which we have loved and been so grateful to receive) can mostly be surmised to one statement “He changed my life!”. How many people leave this earth with that as their legacy? We have been in the presence of greatness, a giant of a man. Giant stature, yes, but also giant artistic gift, giant heart, giant intelligence, giant generosity of spirit, giant, giant, giant…Giant loss.