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Meet Kyla

Before his death at Easter this year, Bill Mitchell requested that Kyla Goodey be handed the baton of Show Director for Wolf’s Child.  Kyla, who performed in the original production of Wolf’s Child in 2015 is actor, director and writer based in Cornwall. 
 
She has worked extensively in Cornwall with various companies including  Miracle, Cube, Pipeline, Trifle Gathering Productions and most recently touring with Kneehigh in 946 Adolphus Tips.  She was also performance director on A Great Night Out 2016 and The Yule Tide Arc-Ive 2015 for Wildworks.

Information session: Monday 8th May

WILDWORKS NEEDS YOU
Our internationally acclaimed show Wolf’s Child is coming to Trelowarren Cornwall, near Helston this July.

We’re looking for enthusiastic volunteers to join the company as performers, makers, production and front of house teams.

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Our Bill

Some people worked with Bill for less than a day, some have witnessed his work and never got to meet him in person, some of us have worked with him for a few years and oh to be the lucky few who worked with him for decades. The overwhelming response from people (which we have loved and been so grateful to receive) can mostly be surmised to one statement “He changed my life!”.  How many people leave this earth with that as their legacy? We have been in the presence of greatness, a giant of a man. Giant stature, yes, but also giant artistic gift, giant heart, giant intelligence, giant generosity of spirit, giant, giant, giant…Giant loss.

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Bill Mitchell

We are heartbroken to confirm that Bill Mitchell, Artistic Director of WildWorks, died yesterday with Sue by his side and surrounded by WildWorks friends and family. Despite being very unwell with cancer Bill continued to work with passion and enthusiasm on WildWorks projects up until his last day.

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Love WildWorks ? Get your Wolf’s Child tickets today. #GetInEarly

‘An entrancing, dark, mysterious experience, knitting together play and place to create one of the most extraordinary pieces of theatre I’ve ever seen.  I’m hugely excited that Wolf’s Child is coming home to Cornwall.’ Gordon Seabright, Director, Eden Project

Tickets are on sale via the Hall for Cornwall box office – get in early.


Wolf’s Child now on sale

Tickets for Wolf’s Child are now on sale. The show, which opens on 11th July and runs until 30th is at Trelowarren Estate near Helston.

Get your tickets here.

 


The Hot Ticket…

Tickets for this summer’s hotly anticipated WildWorks production, Wolf’s Child, go on public sale this Monday (20th March). 

Wolf’s Child, which will be performed at Trelowarren Estate, sees the return of WildWorks to Cornwall after 10 years. 

“Many people remember A Very Old Man With Enormous Wings which we co-created with Kneehigh over 10 years ago. Since then our work has taken us to all sorts of places including Cyprus and Tunis and, closer to home, Kensington Palace and Sunderland but we’ve always wanted to come back to our roots in Cornwall eventually.” Bill Mitchell  

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FIRST SPONSORS CONFIRMED FOR WOLF’S CHILD

Falmouth based design agency Venn Creative are confirmed as the first corporate sponsors for WildWorks’ production Wolf’s Child

Wolf’s Child, which will be at Trelowarren from 11th to 30th July this year, is the first time the internationally renowned theatre company has performed in Cornwall for 10 years. The production, which has a cast of over 100, leads audiences through the grounds of Trelowarren on a story of darkness, love, terror and freedom.

“We are delighted to have Venn confirmed as a sponsor for Wolf’s Child. Their support, and the support of our funders and donor, means we can bring Wolf’s Child home to Cornwall and we are really grateful” – Emma Hogg, General Manager, WildWorks

Venn, who look after WildWorks’ website, are we, design, digital and branding experts with clients across the UK. Their agency create everything brands need including web and print, and work with clients as wide ranging as Coolearth, World’s Apart and Cedar Juice.

“We are thrilled to be able to support our good friends at WildWorks and help bring them back home to Cornwall. We can’t wait to see the show so we all have something else to talk about for the next 10 years.” – Zander Greenfield, Venn Creative

 


IN THE BEGINNING…

… there’s an idea. A shard of light across a landscape, a conversation overheard on a train, a letter from an old friend or a character clamouring to be set free. Curiosity drives us and the adventure it leads us on is different every time.

Part of the early creative process is working out what the show will look like, how it might feel. We’ve raided the sketchbook of our designer Myriddin Wannell for his early ideas about our summer show Wolf’s Child, and here are some of his early design concepts.

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Wolf’s Child: Sponsorship Opportunities

Get your business associated with the UK’s leading producer of landscape theatre.

In 2005 Kneehigh’s Artistic Director, Bill Mitchell, co-produced A Very Old Man with Enormous Wings in Hayle and out of this production WildWorks was born. Since then we have created work in all sorts of places including Kensington Palace and Palestine.

As a registered charity, we are grateful to our public funders Arts Council England and Cornwall Council. Their support is the bedrock of our organisation.

We raise the rest of the money needed to create productions from sponsorship, charitable donations and working on artistic projects for and with other organisations.

This summer we are bringing our internationally acclaimed promenade production Wolf’s Child to the Trelowarren Estate here in Cornwall.

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WildWorks’ 10 Year Anniversary

Credits - Photo: Steve Tanner, Fire Sculpture: Sue Hill/Pete Hill

Credits – Photo: Steve Tanner, Fire Sculpture: Sue Hill/Pete Hill

On Monday 5th December, Wild-Workers from near and far came together to celebrate the 10-year anniversary of WildWorks. Gathered at the cliff-top location of Mount Pleasant Ecological Park in Porthtowan, Cornwall, considered friends and family of the company raised a glass to the vibrant and successful past of WildWorks, with a big nod to an exciting future.

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A message from Bill…

When Emma Rice was appointed the new artistic director of the Globe a year ago I applauded their vision, trust and bravery. I thought it a perfect combination. What an adventure for both parties, Emma and the Globe. So many beautiful, funny and unique productions that would blossom over the years, blurring the divide between audience and players, capturing the true spirit of the Elizabethan playhouse.

I have to declare an interest here as I worked with Emma on many productions at Kneehigh including Tristan and Yseult; that will be seen next year in what is now Emma’s last year at the Globe. Emma is thrilling to work with – a brilliant contemporary theatre maker full of ideas, energy and honesty. In her interview she would have been completely open about who she is and how she works. The board appointed her knowing everything. So why has the Globe board withdrawn their support of their chosen artistic director in such an embarrassingly short time and after such a scorchingly successful opening season?

Bill Mitchell, WildWorks


Hastings calling…

We are sat on the cliff top at Lady’s Parlour, Hastings.

Here is just one of the 24 stories that our archaeologists have uncovered in their quest to discover the current wealth of Hastings.

 

Open today until 7pm and again tomorrow from 1-7pm.


Dunkirk Refugee Fundraiser

In July our technical manager, Paul Jarvis, and his partner Cordelia are volunteering with Utopia 56, a charity set up to help at the refugee camp in Dunkirk. Before they go they are fundraising for essential funds to help during their time there.

If you would like to support them then please read on…or check out their Facebook page

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Meet the interns: Introducing Mia!

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Mia has joined the team for 6 months as part of an internship through Hall for Cornwall where she works with 3 arts organisations. Apart from us, Mia is also working with O-Region and C-Scape Dance, so it’s safe to say she’s kept busy juggling workloads coming from three directions. However we asked the other companies whether it would be ok for her to join us for a week in Sunderland and luckily for us, they agreed. Now she’s had chance to recover from her first WildWorks project we thought we’d ask her how she found it.

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9 Handsome Lads- A Great Night Out

Len Gibson is from Wearside and we’ve been learning about his life in the North East and the impact that playing music has had on it. His story features in our new show ‘A Great Night Out’

Len was a Prisoner of War on the Burma Railway and says that playing music was the key to his survival.

Mercedes Kemp, Associate Director of Community and Research for WildWorks, has used the interview she held with Len to create dialogue for the show. This section of the evening will also feature a specially commissioned song written and performed by Ross Millard of the Futureheads, also from Sunderland.

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The Art of Food at a Great Night Out

shutterstock_359742716Have we mentioned we are producing a night to remember in Sunderland? In fact, a Great Night Out!

A Great Night Out will be held at The Point in Holmeside, Sunderland, on Sunday, May 1. The venue will be transformed into a ‘glittering dream space’ in which people will be entertained by local performers while celebrating Sunderland and South Tyneside’s proud heritage through tales and stories.

We have a unique opportunity for people with an interest in food and catering to help us to create the canapes for ‘A Great Night Out’.

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Capital funding success!

It’s been a good week at WildWorks! Our application to Arts Council England for Small Scale Capital has been successful.

Quite often capital funding means buildings. We create theatre in real landscapes, for and with the people of those landscapes, and not in theatres. This means we cannot rely on the basic structures that usual venues provide.

In the woods, a castle, or a harbour, there are no lighting structures or sound installations, there is no community rehearsal space. For each project we create a theatre from scratch including backstage spaces, dressing rooms, communication systems, an office, the list goes on. Previously the majority of this is hired in equipment and necessity demands that the cost of this be included in the production budget for each project. This funding means we can create and own a sustainable and environmentally light-touch portable ‘theatre’ facility.

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